Big Thief

Two Hands

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  • 一起射一起撸人人碰AlphaStar匿名潜入星际2天梯PK,让人类玩家瑟瑟发抖

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      勉強收攝心神,太宰學著雲瑯的樣子扣動了機括,同樣的一聲嗡鳴過後,樹干上又多了一根鐵刺。   直到現在雲瑯才確認,自己真的是來到了西漢年間。一起射   諸父兄弟,備言燕私。一起撸   三綹胡須的中年人大笑道︰“少年人如潛龍騰淵,自有鱗爪飛揚之態。只是要多做,少說,而後才能名揚天下,老夫靜候雲瑯之名再入我耳。”   厚重的野豬腿骨帶著一大塊肥厚的豬肉不用煮熟,被雲瑯晾涼之後,就放在老虎的面前。人人碰   臉上的豬油沒有了之後,老虎一個虎躍就從雲瑯的身上跳走了。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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