Big Thief

Two Hands

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  • 丁香婷婷第四涩涩第四色人阁微软Win10 Defender更名出现更多变化:安全智能更新

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      雲瑯想了一下,還是把自己來找曹襄的目的說了。   皇帝在號稱連續喝了四天清水之後,終究是要進食的,董仲舒親自送來了一盒子食物,里面的食物很簡單,一粥,一菜,一塊米餅。丁香婷婷   所以,雖然皇帝在沖著雲瑯咆哮,恨不得一刀砍死他,但是,在心里,他是欣慰的。第四涩涩   這便是始皇帝封禪泰山之時的祭文,某家不知道董仲舒是如何給陛下作祭文的,想必也脫離不開這個‘五德終始說’的範疇。   曹襄笑道︰“芝蘭之室就該是這個味道。”第四色人阁   劉徹的精神面貌很好,至少雲瑯每次見到劉徹的時候,他的精神都非常的飽滿。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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