Big Thief

Two Hands

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  • 人人碰人人看人人操台风“利奇马”肆虐 多家上市公司回应影响


      霍去病圍著雲瑯轉了一圈,還特意捏捏他的肩胛骨,撓著腦袋道︰“沒見你長翅膀啊。”   田氏在山東的日子並不好過,好多田產都被皇帝給收繳了,那時候覺得這是天塌了。人人碰   雲氏在上林苑有一座幽靜的小宅子,就在無憂谷里,這里是雲氏每年四月觀賞油菜花的別業。人人看   “咦?你以前不是告訴陛下這世界上從來就沒有神仙嗎?”   打眼,開鑿,放火,潑水,一塊塊完整的石頭被羌人們從獨石頭上剝離下來,于是,一塊平地上,也就慢慢出現了一道城牆。人人操   能去廷尉詔獄就任主官,說明陛下對雲氏還是信任的。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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