Big Thief

Two Hands

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  • 小明看看免费视频发布中心小明看看视频发布中心小明看看永久免费视频发布中心平台美报告抹黑解放军海外救援任务:破坏多国行动效力


      司馬遷艱難的站起來,沖著雲瑯笑一下,就走出去了,大漢的監牢很自由,如果不是重犯,基本上沒人干涉你的自由。   現在,少了一顆!小明看看免费视频发布中心   張湯張了張嘴最後還是無奈的道︰“雲氏繳納了罰銅,此事已經了結。”小明看看视频发布中心   被精美的食物引誘的有些餓的司馬遷從包袱里掏出一塊糜子饃饃,咬了一口,吃的非常香甜。   劉徹笑道︰“費公,您能想象昔日那個揮金如土,不知體恤民力的阿嬌,如今已然自食其力嗎?”小明看看永久免费视频发布中心平台   雲瑯愣了一下,再一次搖頭,論到對太空的了解,誰能比他更強? Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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