Big Thief

Two Hands

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  • 小明看看永久免费发布中心小明看看在线永久免费视频发布中心小明看看永久视频发布中心徐穆雯:现货黄金回调继续多


      “好大的口氣!”小明看看永久免费发布中心   雲瑯把烤肉放在一邊,大王很有耐心的等烤肉變涼。小明看看在线永久免费视频发布中心   雲瑯習慣性用最好的,這也是後世人的一個特點,他們早就被層出不群的新的發明,新的創新弄得眼花繚亂,永遠都走在接受新事物的路上,這非常的了不起。   淡藍色又帶著一點黃色的磷火在骨骼上虛無的燃燒著,偶爾會有一兩點磷火離開骨骼的束縛漂浮在半空,只是一瞬間就熄滅了。小明看看永久视频发布中心   霍去病饒有興趣的道︰“你兄弟很厲害嗎?今年多大?” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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