Big Thief

Two Hands

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  • 小明看看2015永久在线兔费小明看看大陆2015永久小明看看永久免费名域首页纽约联邦法官裁定特朗普须公布8年税单:总统没豁免权

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      雲瑯跟曹襄離開了農田,施施然的走進了陽陵邑。   他很想知道,劉徹現在在做什麼。小明看看2015永久在线兔费   雲瑯不知道是那個缺心眼的把兩架投石車弄到皇宮城牆上去的,怪不得東宮牆頭上一個人都沒有。小明看看大陆2015永久   在霍光,張安世極度不滿的目光中,雲瑯跟曹襄踫了一杯酒之後,事情就塵埃落地了。   劉徹掃視了一眼詔書,點點頭,隋越就在上面用了大印。小明看看永久免费名域首页   這很合理,一個剛剛被自己的臣子刺殺過的皇帝,不可能再對他的臣子太過親近。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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