Big Thief

Two Hands

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  • 影音先锋手机Av资源站一本道久久综合久久爱一本道dvd在线买房擦亮眼!西安浩华北郡违规预售商品房被罚34万元

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      “這就是我為何不願意跟你們一起上戰場的緣故,太輕率了……”   而造紙界的鼻祖蔡倫,現在連胚胎都不是!影音先锋手机Av资源站   上漲的河水,越過冰層,從冰層的上方緩緩流下……一本道久久综合久久爱   何愁有並沒有松懈下來,右手搭在劍柄上,目光陰冷的看著正前方。   凡是寫在竹簡上的《律法》對雲瑯來說都不算什麼羈絆,他見識過連廁所該怎麼上都有嚴格規定的律法,大漢這道天網,對他來說真的是太自由了。一本道dvd在线   這讓雲瑯對這個家伙起了警惕之心,把痛苦隱藏的越深,一旦爆發出來就會非常的猛烈。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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