Big Thief

Two Hands

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  • 欧美色情电影亚洲AV色情电影超碰在线视频下载股海导航 10月14日沪深股市公告提示


      豐盛的食物,永遠是聚會中的重頭戲,更不要說雲家的糕餅本來就花樣繁多。   “見過張公,見過中大夫!”欧美色情电影   雲瑯奇怪的道︰“你舅舅不是去了右北平嗎?”亚洲AV色情电影   山鬼站在圈子中間的桌子上跳舞,舞姿妖嬈夸張,絲毫不顧忌春光外露。阿嬌也想上去,被大長秋死死的拉住不讓她上去丟人。   轄竭皺眉道︰“少年人,我已經答應了。”超碰在线视频下载   臥虎地其實算得上是一片水草豐茂之地,低矮的丘陵之間溪水潺潺,只要稍加改造,就是一片樂土。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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