Big Thief

Two Hands

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  • 狠狠爱影院网爱搞搞就狠狠爱狠狠爱综合影院2017宁夏首富也栽了 天元锰业老板贾天将旗下私募被注销


      話沒說完,寧嘉撲上來摟住我的脖子。我也摟住她的腰。我們緊緊摟在一起,瘋狂地親吻,嘗到彼此嘴里的血腥味。   我鑽進副駕駛座,關上車門,藍波急忙拿起儀表台上的煙盒,抖給我一支,幫點上,然後自己也叼一支,問道︰“海哥,順利嗎?”狠狠爱影院网   眾人走到房外一看,只見一個三十來歲、其貌不揚的男人拿著水果刀挾持著一個年輕女子。爱搞搞就狠狠爱   我抓著項鏈,有些不知所措。   深秋。黃昏。狠狠爱综合影院2017   “不知道,我跟他不熟。” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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