Big Thief

Two Hands

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  • 第四涩涩第四色人阁思思热99re9在线视频写字楼“大降温”:空置率攀升与降租双面夹击

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      德之所助,雖賤必申。義之所抑,雖貴必屈。故附勢匿非者無所逃其罪,潛德獨運者無所隱其名,信不易之宏軌,百王之通典也。”   雲音站在遠處沖著霍光大喊。第四涩涩   最後,雲瑯從桌子底下提出一壺酒遞給霍光道︰“嘴對嘴的喝,這樣痛快!”第四色人阁   跟別的孩子沒有什麼區別。   霍光笑道︰“弟子現在還是這麼看,如果弟子是那個華山派大師兄,哪里有什麼林平之跟小師妹的事情,早就想方設法幫他報仇,然後再把他踢出華山派了。”思思热99re9在线视频   “沒一個是安穩的啊……” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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