Big Thief

Two Hands

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  • 色姑娘综合站免费观看青青草视频97超碰视频专家:刚起步的5G 网速可能没你想得那么快

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      震懾雲氏潛在的敵人莫要與雲氏為敵!   金日的長刀砍在那個武士的脖頸上,那個武士用腦袋跟肩膀夾住了那柄已經置他于死地長刀,然後丟掉巨盾跟短矛,用最後的生命力踢在了他的腰胯上,而後親手拔下瓖嵌在他脖頸上的長刀,站在自己噴薄而出的血雨中死不瞑目。色姑娘综合站免费观看   雲瑯當然知道劉徹喜歡的是烏孫馬,以後歡會更加喜歡大宛汗血馬……青青草视频   雲瑯送來的飯菜已經驗毒完畢,被宮娥們裝在盤子里一一送了上來。   霍光吧嗒一下嘴巴道︰“他不會死吧?”97超碰视频   才能讓他在大漢國笑傲天下,視我大漢英才如無物。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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