Big Thief

Two Hands

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  • 97超碰视频最新av青青草在线视频免费视频在线张皓天:黄金低位反弹能否延续 日内黄金走势分析操作

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      雲瑯雙手死死的攥著鯊魚皮包裹的精美匕首,怨恨的瞅著太宰。   直到這些人走遠了,雲瑯輕聲問道︰“這些人也是野人?”97超碰视频   雲瑯快步奔跑起來,想快點進入溫暖的石屋。這鬼天氣,如果不是被太宰丟出來,他無論如何都不會自虐。最新av青青草在线视频   “我說的都是真的。”   那只母鹿就臥在老虎的肚皮旁邊,如果繼續這樣下去,雲瑯覺得她們能發展出一段跨種族的愛情。免费视频在线   能進入路邊茅草亭吃飯歇息的人基本上都是這副樣子。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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