Big Thief

Two Hands

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  • AV在线视频成人社区男人的天堂东京热!一起射意甲-皮亚泰克连续5场破门 VAR吹掉2球 AC米兰3…


      董仲舒怒道︰“如果不是你的大弟子臨陣脫逃,如何會有夏侯氏弟子進駐皇長子身邊的事情?”   一個人有大多本事才能承擔多大的責任,沒有本事卻身居高位者,可有一人有好下場?AV在线视频成人社区   菜不好吃,那就吃肉喝酒……四個人喝了很多酒,排成一排在河邊撒尿的時候,李敢尿的最遠……男人的天堂东京热!   劉徹聞言無聲的笑了一下,用拇指指指自己的胸膛道︰“不是因為朕的昏悖舉動引起的天罰?”   “男娃就叫雲動,吃奶的時候都閉著眼楮,看來是一個懶的,起這個‘動’字看看能不能互補一下。”一起射 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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