Big Thief

Two Hands

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  • AV影片A片毛片免费观看!小明看看2015永久在线兔费金力永磁连续五跌停 中信建投一营业部抛售2500万元

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      婦人們的想法跟男人有很大的不同,相對男人來說,婦人們的危機感更加強烈一些。   松雞是被狼群給驚出來的,還沒有飛遠,就被何愁有手里的小石子給擊落了。AV影片   看著曹襄離開,雲瑯就怔怔的看著門外的那顆沙棗樹,五月的時候這棵樹還在噴吐著馥郁的花香,如今,沙棗花逐漸脫落,樹上開始有了一些銀色的小沙棗。A片毛片免费观看!   李敢的骨頭斷了三次了,肋骨還沒有長好又上了戰場。   這是一個搶奪母愛失敗的家伙,現在根本就不可理喻。小明看看2015永久在线兔费   小狗兒小聲道︰“二十八個。” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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