Big Thief

Two Hands

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  • Caoporn超碰视频corp超碰视频在线观看台当局不再用大陆地名命名军舰 军事上搞"去中国化"


      趙破奴的出現讓雲瑯徹底的放下心來。   連續吃一個月的包子這是沒辦法的事情,馬肉太多了,一場大戰過後,損失的戰馬,以及牲畜比損失的人還要多,加上天熱,不吃馬肉吃什麼?Caoporn   曹襄抬頭看著李敢胸腹上包裹著的麻布,用力的搖搖頭道︰“你要擴莊子我幫你,你的功勞我不能要了,就現在的這些,我已經快要汗顏無地了。”超碰视频   “這人不是繡衣使者!”   “馬夫……繡衣使者……”corp超碰视频在线观看   即便刻薄如劉徹,也只能給他舉行巨大的喪禮,為死後的霍去病加官晉爵,封賞萬代! Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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